A master of light, New Orleans photographer David Halliday produces lush and elegant images that are both classical and modern. Using window light to illuminate his subjects, Halliday's direct approach to photography offers a fresh take on the historic art prototypes of still life and portraiture. The simplicity of his visual language produces images that transcend time. Read More
Luis Cruz Azaceta began the series “Shifting States” about a year ago in response to the rapid state of change occurring in the world at large. Amid climatic change, collapsing economies, greed, war and revolution, individual citizens are rising against political, economic and social injustices. In this, Azaceta finds courage, faith and innovation mapping a new terrain. He confronts this process of shift in his work, which reflects his signature bright colored abstraction and figuration. Read More
Aspects of a New Kind of Realism explores the roles of realism and process in painting today. The exhibition is curated by highly regarded writer, curator, and program director, Michael Klein; and features works by artists David Bates, Richard Bosman, Squeak Carnwath, Glenn Golderg, John Hartman, Kathryn Lynch, Thom Merrick, Joan Snyder, and Xiaoze Xie. Read More
Ted Kincaid’s work explores the fusion of multiple artistic media, including painting and photography. His digital images embrace qualities and challenge traditions of each, resulting in paintings informed by photography and photography influenced by painting. Read More
The White series showcases seasoned master Dale Chihuly’s relentless pursuit to expand his highly original language of glass. As one of the greatest colorists in the history of the medium, his genius includes the application of colors in different sequences, mixing opaque with transparent, thus manipulating light as it travels through the glass. Read More
Dave Greber believes that the conscious exploration of our own personal cosmic DNA through art unearths all sorts of seemingly unassociated pieces of ideas. He feels that making new work is an archeology of the sub-conscious—it turns up fragments of broken ceramics and jaw bones, and the scientist receives the gifts the soil has offered and pieces them together to discover a “new dinosaur.” Read More
Drake’s recent "White Cut-Outs" are studies in composition and subtraction. The artist creates them by cutting the paper with an X-Acto blade. The elegant works are the product of complicated fabrication and technical expertise. Their impact is related to both the shadows they cast and their drawn line. The tone of Drake’s “Red Drawings” is complicated and political. The intensity and saturation of red chalk infuses the drawings with a different line and character. Read More
In recent years Brooklyn-based still-life artist Richard Baker has painted true to size interpretations of vintage paperback book covers, particularly classic covers from the 1950s through the 1970s including literary luminaries such as Tennessee Williams, Truman Capote and William Faulkner. More recently, Baker has also begun painting classic record album covers. Read More
Using an insider's bag of tricks and trade lingo, Waters celebrates the excess of the movie industry. Word and image play permeate Waters' work, and the movie industry and its various sleights of hand are a common target. Always ambitious and playful, some of the works are condensed narratives or "little movies” as Waters calls them. Read More
