Ted Kincaid’s work explores the fusion of multiple artistic media, including painting and photography. His digital images embrace qualities and challenge traditions of each, resulting in paintings informed by photography and photography influenced by painting. Read More

Drake’s recent "White Cut-Outs" are studies in composition and subtraction. The artist creates them by cutting the paper with an X-Acto blade. The elegant works are the product of complicated fabrication and technical expertise. Their impact is related to both the shadows they cast and their drawn line. The tone of Drake’s “Red Drawings” is complicated and political. The intensity and saturation of red chalk infuses the drawings with a different line and character. Read More

Common Ground. Curated by Jim Richard. Opening reception in conjunction with White Linen Night, August 6th from 6–9pm. Read More

James Barsness is drawn to the world of fantastic imagery. His paintings explore the possibilities of multiple simultaneous narratives that can be quite complex. Read More

Using vintage and well-known consumer product labels, Troy Dugas assembles intricately designed, geometric constructions. Read More

This selection of paintings and sculpture from Ida Kohlmeyer’s estate span almost 40 years of the artist’s career and represent several shifts in her style. Read More

In this exhibition, David Halliday presents photographs that appear visually brighter and lighter in energy than his more intimate and formal sepia-toned photographs. Read More

Lesley Dill’s exhibition encounters and is inspired by the life of the late Sister Gertrude Morgan. The entire space is designed as a progressive story vibrating between heaven and hell. Read More

"The Gulf: Works Completed Before the BP Spill" is intended as a poignant meditation on the profoundly endangered beauty of the Gulf of Mexico, its related commercial fishing life, and its bordering habitats as a result of the oil spill caused by the Deepwater Horizon offshore drilling rig explosion. Read More

Using himself as the model, Scott creates narrative pieces that use illusion and surprise to tackle issues ranging from identity and loneliness to the way the art world has pigeonholed the various mediums in which he works. In his pieces, Scott challenges the definitions of photography, painting and video, expanding its discourse. Read More