Amer Kobaslija captures Florida’s lush, strange atmosphere while examining the expressive potential of oil paint’s luminous, elastic, viscous goo. by Edward M. Gómez for Hyperallergic April 26, 2019 Real artists are always looking for something — either venturing out into the real world to bear witness to human behavior or to characterize places and events,…
BY JOHN D’ADDARIO | Special to The Advocate APR 2, 2019 – 10:30 AM A new exhibition at Arthur Roger Gallery shows how one of the most familiar American artists of his generation is still full of surprises. “Chihuly” at Arthur Roger Gallery contains several dozen works by the artist and his studio, mostly from…
Please join us in congratulating the 2019 South Arts State Fellowship recipients, including the Southern Prize winner Rory Doyle and finalist Amy Gross. Each of these artists were selected by a national panel of jurors to receive their respective state fellowships, including an award of $5,000. A second panel reviewed these artists’ work, awarding one…
Chihuly’s Rose Crystal Tower Will Be on Public Display for Two Years A large-scale sculpture by world-renowned artist Dale Chihuly was unveiled today in the plaza in front of the New Orleans Botanical Garden in New Orleans City Park. The installation of Chihuly’s Rose Crystal Tower was underwritten by The Helis Foundation and it will…
by OSMAN CAN YEREBAKAN for Cultured Magazine During the preview for Open Spaces 2018: A Kansas City Arts Experience on a rainy Thursday, curator Dan Cameron walked a group of journalists and donors through Swoope Park [sic]. One of the largest urban greeneries in the country and a multifunctional site for recreational and cultural activities, the Midwestern…
By: Folwell Dunbar for ViaNolaVie | JUL 09, 2018 Nicole Charbonnet’s studio is seven thousand square feet. The main room alone is the size of a middle school gymnasium. The former warehouse built around the turn of the century also contains an apartment (Nicole lives there), storage rooms, a downstairs studio used by another artist, a garage…
Rob Wynne: FLOAT On view at the Brooklyn Museum from June 6, 2018, to January 6, 2019 The Brooklyn Museum is pleased to present Rob Wynne: FLOAT, a site-specific activation putting the artist’s signature glass installations in dialogue with works in the American Art galleries. The presentation features fifteen works, mostly made from hand-poured, mirrored…
Written by Linda T. Dautreuil for Inside Pub, photos by Candra George THE RUSTY WHEELBARROW with unusually straight legs resting on small wheels would be the focal point in Dove Cote Studio were it not for the large collection of recent paintings on reconstituted paper by visual artist Edward R. Whiteman. On a day when…
A portrait of Ida Kohlmeyer by artist Maddie Stratton of Where Y’Art, as commissioned by NOLA.com | The Times-Picayune for its “300 for 300” celebration of New Orleans’ tricentennial. (NOLA.com | The Times-Picayune By Mike Scott | NOLA.com | The Times-Picayune The Times-Picayune is marking the tricentennial of New Orleans with its ongoing 300 for 300 project, running through 2018…
A new show at Arthur Roger Gallery provides an unprecedented opportunity to compare work by George Dureau and Robert Mapplethorpe, two of the most important figurative photographers of the 20th century. In a just world, the two artists would enjoy equally significant reputations. But the general art historical line holds that the New Orleans-based Dureau’s photographs exist almost as a kind of footnote or sidebar to those of the more well-known Mapplethorpe, whose fame and notoriety have only increased since his death in 1989, while Dureau’s reputation has been mostly limited to local and specialized circles during the same period.