by OSMAN CAN YEREBAKAN for Cultured Magazine During the preview for Open Spaces 2018: A Kansas City Arts Experience on a rainy Thursday, curator Dan Cameron walked a group of journalists and…
By: Folwell Dunbar for ViaNolaVie | JUL 09, 2018 Nicole Charbonnet’s studio is seven thousand square feet. The main room alone is the size of a middle school gymnasium. The former warehouse…
Rob Wynne: FLOAT On view at the Brooklyn Museum from June 6, 2018, to January 6, 2019 The Brooklyn Museum is pleased to present Rob Wynne: FLOAT, a site-specific activation…
Written by Linda T. Dautreuil for Inside Pub, photos by Candra George THE RUSTY WHEELBARROW with unusually straight legs resting on small wheels would be the focal point in Dove…
A portrait of Ida Kohlmeyer by artist Maddie Stratton of Where Y’Art, as commissioned by NOLA.com | The Times-Picayune for its “300 for 300” celebration of New Orleans’ tricentennial. (NOLA.com…
A new show at Arthur Roger Gallery provides an unprecedented opportunity to compare work by George Dureau and Robert Mapplethorpe, two of the most important figurative photographers of the 20th century. In a just world, the two artists would enjoy equally significant reputations. But the general art historical line holds that the New Orleans-based Dureau’s photographs exist almost as a kind of footnote or sidebar to those of the more well-known Mapplethorpe, whose fame and notoriety have only increased since his death in 1989, while Dureau’s reputation has been mostly limited to local and specialized circles during the same period.
This talk gives a retrospective of David Yarrow’s work as a wildlife conservation photographer and the story of his different approach to photography. David also touches on his anticipations for the requirements of future photographers.
Listen to Lisa Tahir’s interview with Gene Koss on LA Talk Radio – All Things Therapy. Professor Gene Koss, Founder of the Tulane University Glass Art Department in 1976. His career spans 41 years in creating monumental 3-8 ton glass and steel mixed media sculptures.
Christmas has a funny way of reminding us of the innocent joys of childhood even as the world looks less and less innocent. Stephen Paul Day’s magnificently crafted, yet totally weird, Queen of Mirthshow features oversized recreations of vintage children’s games and pop culture collectibles from the shadowy recesses of America’s past.
As part of Prospect.4: The Lotus in Spite of the Swamp opening November 16-18, the Ogden Museum of Southern Art will exhibit nine prints and an original woodcut block from John T. Scott’s 2003 series, Blues Poem for the Urban Landscape.