Press & Media

“Art in Review”, The New York Times

Clyde Connell began making art when she was almost 50 years old — she is now 91 — and the contemporaries who most influenced her span several generations. Adolph Gottlieb’s paintings, new when she saw them, stirred her interest in pictographic forms; the example of Eva Hesse’s work a few decades later encouraged her pursuit of sculpture in low-art materials.

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“George Dureau”, Gambit Weekly

When his car was stolen recently by a 4-foot-8, 24-year-old “boy,” George Dureau already had photographs of both boy and car. Dureau explains that in his art work he uses people he likes, “like the boy who stole the car.”

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“Before Mapplethorpe”, The Oregonian

If you wander into the back room at Jamison/Thomas Gallery this month, you might be in for a shock. Lined up over the gallery’s storage racks are a series of boldly composed photographs of nude black men and portraits of men with congenital deformities.

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“From tutankhamen’s Tomb to the tomb of the Urban warrior”, Understanding Art

Consider some sad facts of contemporary life in the United States. Violence has replaced communicable diseases as the leading cause of death among young people in the United States during the past generation. Young African-American men are about nine times as likely as European Americans to be victims of homicide. About nine out of ten of African-American victims are killed by other African-American youths. Moreover, the prison population of African-American youths has been mushrooming. Because of such statistics, social commentators have been concerned about “the vanishing African-American male.”

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Douglas Bourgeois, ARTnews

Voodoo traditions and New Orleans’ strongly Roman Catholic heritage go some way toward explaining the city’s bizarre emotional energy. New Orleanians, while they love earthly excesses-witness Mardi Gras-also lead exotic spiritual lives.

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