For an artist, no event is more significant than a retrospective exhibition. As the word implies, a retrospective provides an occasion for looking back, for identifying themes, both stylistic and pictorial, that characterize a body of work. Usually, a retrospective inevitably entails reflection and reassessment. While everyone has such moments in life – a major anniversary or a birthday marking a decade – an artist is confronted with a tangible record that must be faced with prevarication or self-delusion. For an artist to “dry up” in his/her primary medium after a retrospective is not at all unusual. Often a painter or sculptor will work only in drawings or prints for a few weeks or months on the heels of this hiatus. For an artist to make a radical and prolonged change, not only in style but in medium as well, however, is indeed unusual. But that is exactly what Robert Gordy did after his 1981 retrospective at the New Orleans Museum of Art.