George Dureau: paintings; Clyde Connell; paintings and sculptures; and Wellington Reiter: environmental installation; all at the Arthur Roger Gallery, 432 Magazine St., through April 22.
Two large sculptures and one small one were shown in the New Orleans artist’s first solo show in New York. Timber, Plow and Ridge Road Climb unveiled an artist of skill, intervention, and unexpected beauty.
At the Susan Cummins Gallery, L.A. based artist Jim Barsness deals with the collapse of empires ancient and modern and the vanity of human wishes.
Art Pick of the Week BY PETER FRANK “New Orleans based-artist Dawn DeDeaux suggest that the expected source of the ‘trouble’ is itself troubled, yet manifests its own tragic nobility….
This will be a boring review. The reasons for its being boring are, however, exceptionally good.
Clyde Connell began making art when she was almost 50 years old — she is now 91 — and the contemporaries who most influenced her span several generations. Adolph Gottlieb’s paintings, new when she saw them, stirred her interest in pictographic forms; the example of Eva Hesse’s work a few decades later encouraged her pursuit of sculpture in low-art materials.
At her studio-home in old Metairie, energetic Ida Kohlmeyer creates monumentally successful sculpture and painting. In her youth (which she says lasted until her 75th birthday), the success was the plum she sought, as she strove “to be accepted, and to be acceptable.”
George Dureau: The Modern Heroic Figure BY TERRINGTON CALAS NO ONE WHO has seen — not merely noticed — great Mannerist or Baroque painting, can be unmoved by the sly…
Artists in Search of Timeless Things BY ROGER GREEN EXCERPT Monumental drawings Dureau is known primarily as a painter and photographer. Lately, however, he has been working on a monumental…
When his car was stolen recently by a 4-foot-8, 24-year-old “boy,” George Dureau already had photographs of both boy and car. Dureau explains that in his art work he uses people he likes, “like the boy who stole the car.”