“Review: New Orleans streetlife from John T. Scott and Dapper Bruce Lafitte,” Gambit
John T. Scott: His Legacy and R.I.P. Bruce A. Davenport, Jr. | Artwork by Dapper Bruce Lafitte at Arthur Roger Gallery run through Sept. 23
John T. Scott: His Legacy and R.I.P. Bruce A. Davenport, Jr. | Artwork by Dapper Bruce Lafitte at Arthur Roger Gallery run through Sept. 23
Have you ever wondered what it would look like to view some of the world’s most renowned opera houses from center stage? Wonder no longer. New York-based fine arts photographer David Leventi’s 120-page book “OPERA” answers this question in stunning color and detail. The son of architects, he photographed the auditoriums of nearly 50 opera houses in the United States and abroad, shooting from center stage, and using only a wide-angle camera and the lighting from chandeliers and other house lights.
Pride of Place: The Making of Contemporary Art in New Orleans celebrates art collector and gallery owner Arthur Roger’s transformational gift of his entire personal art collection to the New Orleans Museum of Art. Spotlighting one of the city’s most groundbreaking contemporary art collections, the exhibition (on view June 23–September 3, 2017) explores the rise of modern and contemporary art in New Orleans.
The Julia Street gallery owner donated his art collection to NOMA, and the show says as much about Roger as the art he has collected.
The brilliant Louisiana artist Dawn DeDeaux pays homage to Rauschenberg, and to our frail and damaged planet, by assembling charred wood and evocative bric-a-brac (“an alligator-skin book of Longfellow poems”, a “tape measure stuck on 1”). And even as she forages for relics of our time on Earth, she imagines the fashions of space travel in intricate, wall-sized digital drawings.
Flamboyant as his paintings and photographs, George Dureau gained worldwide acclaim for his depictions of the human figure in all of forms. Dureau was born in Midcity and lived much of his adult life as a major character the French Quarter. Dureau may be best known internationally as a photographer.
It’s hot. It’s humid. It’s summer; which means the time has yet again come for droves of art patrons and revelers alike to garb themselves in linens woven of white and gather in the streets to party like an artist. Julia Street to be precise. The annual art-meets-wine extravaganza known as Whitney White Linen Night is once again upon us.
You don’t need to be an art buff to appreciate the New Orleans Museum of Art’s most recent exhibition: “Pride of Place: The Making of Contemporary Art in New Orleans.” Pride of Place celebrates art collector and gallery owner Arthur Roger’s personal collection that he gifted to the museum.
Arthur Roger has donated 80 works of art from his personal collection to the New Orleans Museum of Art. This stunning gift to the community is made even more important by the breadth of the backgrounds of the artists whose works he has shown and represented at his gallery, Arthur Roger Gallery. He was a pioneer in showing contemporary art by local artists, women artists, and African American artists when other galleries had not begun showing any of these.
Dozens of pairs of scavenged baby shoes line the shelves in Jacqueline Bishop’s New Orleans studio. Collected by the artist from the streets of cities in America and of third-world countries, each pair of shoes serves as a tiny canvas, upon which the artist has painted exquisite portraits of flora and fauna—orchids, honeyeaters—that have vanished from their native range as the tide of human civilization rolls on.