Drake’s recent “White Cut-Outs” are studies in composition and subtraction. The artist creates them by cutting the paper with an X-Acto blade. The elegant works are the product of complicated fabrication and technical expertise. Their impact is related to both the shadows they cast and their drawn line. The tone of Drake’s “Red Drawings” is complicated and political. The intensity and saturation of red chalk infuses the drawings with a different line and character.
Common Ground. Curated by Jim Richard. Opening reception in conjunction with White Linen Night, August 6th from 6–9pm.
James Barsness is drawn to the world of fantastic imagery. His paintings explore the possibilities of multiple simultaneous narratives that can be quite complex.
Using vintage and well-known consumer product labels, Troy Dugas assembles intricately designed, geometric constructions.
This selection of paintings and sculpture from Ida Kohlmeyer’s estate span almost 40 years of the artist’s career and represent several shifts in her style.
In this exhibition, David Halliday presents photographs that appear visually brighter and lighter in energy than his more intimate and formal sepia-toned photographs.
Lesley Dill’s exhibition encounters and is inspired by the life of the late Sister Gertrude Morgan. The entire space is designed as a progressive story vibrating between heaven and hell.
“The Gulf: Works Completed Before the BP Spill” is intended as a poignant meditation on the profoundly endangered beauty of the Gulf of Mexico, its related commercial fishing life, and its bordering habitats as a result of the oil spill caused by the Deepwater Horizon offshore drilling rig explosion.
In his pieces, Gregory Scott challenges the definitions of photography, painting and video, expanding its discourse.
This exhibition features restored work recovered from John Scott’s studio after Hurricane Katrina.