“A New Realism,” New Orleans Art Review – Winter/Spring 2012
Review of January 2012 exhibit “Aspects of a New Kind of Realism,” a group exhibition curated by Michael Klein.
Gallery News
“A Quasi-Romance,” New Orleans Art Review – Winter/Spring 2012
“‘Southern Abstraction’ is a compelling view of a provocative art form,” Mobile Press Register
Allison Stewart is well known to Mobile art lovers, having shown her work at the Eichold Gallery and Space 301, among other venues. She recently completed work for a large one-person exhibit at Southeastern University of Louisiana in Hammond. The exhibit will be on view during June at the Contemporary Art Gallery on the university campus.“In addition to paintings on canvas, I will have two installations of drawings and large paintings on drafting film,” she says. “I’ve been experimenting with new materials and approaches and am looking forward to seeing the work installed.”
“Lesley Dill’s ‘Faith & the Devil’ Comes To George Adams Gallery,” Huffington Post
The mission of Lesley Dill’s ‘Faith & the Devil’ could not be any more ambitious: the artist aims to examine the eternal struggle between faith and evil in philosophy and literature. To us, this sounds like the college thesis from hell, and standing amidst the installation, you start to get the feeling the artist began to go mad in the process.
Review: Paintings by David Bates
Dallas artist David Bates may be the finest painter his hometown has ever produced, but when it comes to his favorite sport, he heads to Louisiana and the remote extremities of Plaquemines Parish. While the paintings in this Down Highway 23 series reflect the everyday lives of fishermen, they were inspired by a trip he made in 2010, when instead of the usual scenes of shrimpers, oystermen and boats laden with the day’s catch, he encountered a coastal dystopia defined by reporters, politicians, tar balls, oil slicks and clean up crews in hazmat suits. Evidence of the BP oil disaster was everywhere in a coastal landscape transformed into something nightmarish, but amid the chaos he began to spot the familiar faces of those who derived their living from those waters. What he saw in them was not defeat but the same resilience that had faced many hurricanes and come back for more.
Join us Saturday, April 7, 2012 for Jammin’ on Julia – Social à Go-Go!
Jammin’ on Julia – Social à Go-Go! A street festival and fundraiser for the New Orleans Art District Association. The festival that will bring together New Orleans’ creative industries and social media resources for a day long festival that will entertain thousands of attendees. The Arthur Roger Gallery is pleased to present exhibitions of works by David Bates (paintings), Joseph Havel (sculptures) and David Sullivan (video). The gallery will host an opening reception, with the artists in attendance, Saturday, April 7 from 6-8 pm.
Troy Dugas and Dave Greber in Oxford American’s 100 Under 100: The New Superstars of Southern Art
From Oxford American, “Out of overwhelming curiosity, we wanted to discover the most talented and thrilling up-and-coming artists in the South. So we enlisted a range of Southern experts (gallery owners, curators, critics, artists) to help us find them. To make things manageable, we limited our interest (for the time being) to those who paint, photograph, and draw.”
“Francis X. Pavy: A Louisiana bicentennial exhibition,” Gambit
Firmly rooted in the culture of south Louisiana, Lafayette artist Francis X. Pavy (b. 1954) arranges archetypal images into patterns within his paintings, block prints and sculptures. His colors and shapes walk the line between complementary and discordant, resulting in a variety of iconic yet contemporary Cajun imagery, all battling on his canvas for attention, in the same way daily aspects of Cajun culture – food, music, and art — resist hierarchical alignment.
“John T. Scott: The Times-Picayune covers 175 years of New Orleans history,” The Times-Picayune
Renowned artist John T. Scott’s colorful kinetic sculpture captured the New Orleans spirit. In 1992, Xavier University art professor Scott, who lived from 1940 to 2007, was awarded a $315,000 John D. MacArthur Fellowship, popularly known as a genius grant. It was a career-capping acknowledgement of Scott’s devotion to artistic experimentation and education that made him the city’s most influential modernist. Large-scale sculptures by Scott can be found in DeSaix Circle, City Park and at the New Orleans Museum of Art.
“Revisiting Elemore,” New Orleans Art Review – Fall/Winter 2011-2012
Having an opportunity to view a gathering of Elemore Morgan paintings and drawings is like having an opportunity to visit with an old friend. Coming face to face with works ranging from small scale eight by five inch gouaches on paper to thirty-four by sixty inch acrylics on masonite offers an intimate experience infused by memories extending over more than fifteen ago when I first met the artist and his work soon after having moved to Louisiana from Ohio by way of Wyoming, New Mexico and California.