“Photographer Deborah Luster wins 1858 Prize,” The Post and Courier
Deborah Luster, a photographer from Louisiana, was named the 2015 winner of the 1858 Prize for Contemporary Southern Art, an award bestowed by the Gibbes Museum of Art.
Deborah Luster, a photographer from Louisiana, was named the 2015 winner of the 1858 Prize for Contemporary Southern Art, an award bestowed by the Gibbes Museum of Art.
Black lives matter. All lives matter. Both statements are true, but it is astounding that we are still debating the meaning of those words. We accept equal rights in theory, but things don’t always play out that way on the streets.
How well do you remember the last days of August 10 years ago? …The three major visual arts venues in the city — the New Orleans Museum of Art, the Ogden Museum of Southern Art and the Contemporary Arts Center — have all timed exhibitions of living artists to coincide with the anniversary. Each show is distinct in its approach, its tone, and its way of visualizing the role of art and the idea of memorialization itself.
Medical centers aren’t usually the kind of places you go unless you have to. But if the new University Medical Center on Tulane Avenue between South Galvez Street and South Claiborne Avenue wasn’t on your list of places to visit this month, you may want to reconsider: Two world-class art installations in the new building are well worth seeking out.
THE ROMANTIC IMAGE of the solitary painter, alone in a garret studio, strenuously working at a paint-spattered easel in the dead of night, certainly persists in many imaginations. That painter is charged, obsessed with the work – drunk on wine or turpentine, weary from extended periods of insomnia, living in relative filth. Despite the perceived stink of such a scene, it is an engaging thought that captures the creative vision of the uninitiated into studio practice in painting. From paintings by Amer Kobaslija at Arthur Roger Gallery, it appears that the imagined situation is not much different from standard, fanciful mental wanderings.
The Lanna Foundation presents Drawing, Reading and Counting (Beauty and Madness in Art & Science) – James Drake In Conversation with David Krakauer (Incoming President, Santa Fe Institute)
Lecture at the New Orleans Museum of Art – Friday, July 10, 2015 at 7pm. Artist and writer Dawn DeDeaux’s NOMA lecture Reflections on Turbulence: The Effect of Disaster on Art will consider the history of disasters and the corresponding impact found throughout the history of art.
A prominent Gulf Coast artist died this month. Jesus Moroles had a collection of honors, including the National Medal of the Arts, the Texas State Artist Award and was known for producing works for several major museums and memorials, including his largest work: the Houston Police Memorial sculpture in Buffalo Bayou Park.
Matthews, whose cartoons appeared in Gambit for years (along with every other local publication), has provoked, skewered and amused the New Orleans arts, music and media communities in cartoons and print since making his debut in the now-defunct Figaro in the 1970s. Two compilations of Vic and Nat’ly were published in the 1980s, featuring the flamboyant, buxom Nat’ly and greasy, cigarette-ash dripping Vic (whom Matthews said was modeled after former New Orleans Mayor Vic Schiro).
Jesús Moroles, a renowned Texas sculptor who had shown his work in solo exhibitions at the Dallas Museum of Art and the Latino Cultural Center, died Monday night in a car wreck on Interstate 35 near Jarrell, Texas, 15 miles north of Georgetown, his associate confirmed Tuesday. He was 64.