Gallery News

Arthur Roger Gallery at Art Miami 2015

The Arthur Roger Gallery is very pleased to be a part of Art Miami this year. At Booth C36, we are exhibiting works by Richard Baker, David Bates, Willie Birch, Douglas Bourgeois, Robert Colescott, Stephen Paul Day, Dawn DeDeaux, Lesley Dill, James Drake, Lin Emery, David Leventi, Whitfield Lovell, Stephanie Patton, Erwin Redl and Holton Rower. The exhibition will be on view from December 2 – December 6, 2014 at the Miami Art Pavilion located in the Miami Midtown Arts District.

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“On and around Julia Street, it’s Art for Art’s Sake,” The Advocate

Arthur Roger will be presenting a show of shimmering, natural form-based kinetic sculptures by veteran New Orleans-based artist Lin Emery, along with David Leventi’s grand photos of opera houses and prisons and river- and cityscapes by Simon Gunning. And one of the newest additions to the Julia Street scene, Julie Silvers Art, will be celebrating its grand opening Saturday with a DJ, door prizes, and other “surprises” from 5 p.m. to 9 p.m.

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“Ten Years After Katrina, New Orleans Museums Reckon With Recovery,” The New York Times

How well do you remember the last days of August 10 years ago? …The three major visual arts venues in the city — the New Orleans Museum of Art, the Ogden Museum of Southern Art and the Contemporary Arts Center — have all timed exhibitions of living artists to coincide with the anniversary. Each show is distinct in its approach, its tone, and its way of visualizing the role of art and the idea of memorialization itself.

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“World-class glass art makes med center worth a visit,” The Advocate

Medical centers aren’t usually the kind of places you go unless you have to. But if the new University Medical Center on Tulane Avenue between South Galvez Street and South Claiborne Avenue wasn’t on your list of places to visit this month, you may want to reconsider: Two world-class art installations in the new building are well worth seeking out.

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“Amer Kobaslija – Paintings,” The New Orleans Art Review

THE ROMANTIC IMAGE of the solitary painter, alone in a garret studio, strenuously working at a paint-spattered easel in the dead of night, certainly persists in many imaginations. That painter is charged, obsessed with the work – drunk on wine or turpentine, weary from extended periods of insomnia, living in relative filth. Despite the perceived stink of such a scene, it is an engaging thought that captures the creative vision of the uninitiated into studio practice in painting. From paintings by Amer Kobaslija at Arthur Roger Gallery, it appears that the imagined situation is not much different from standard, fanciful mental wanderings.

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