Arthur Roger Gallery is very pleased to be a part of Art Miami this year. At Booth C1, we are exhibiting works by Luis Cruz Azaceta, Richard Baker, David Bates, Jacqueline Bishop, Douglas Bourgeois, Stephen Paul Day, Lesley Dill, James Drake, Troy Dugas, George Dureau, Courtney Egan, Lin Emery, Deborah Luster, Francis X. Pavy, Holton Rower and John Waters. The exhibition will be on view from December 3 – December 8, 2013 at the Miami Art Pavilion located in the Miami Midtown Arts District. Read More
John Hartman, one of Canada’s most renowned contemporary painters, conceives of cities not as man-made anomalies but rather as provocative landscapes. With a unique and vibrant color palette, astral-like perspective and obvious deference, he captures the essence and lifeblood of the chosen terrain. New Orleans From Above presents aerial views of the city and surrounding areas through the artist’s distinct voice. The compositions include New Orleans from above Algiers, the CBD and Mississippi; as well as Bayou Lafourche, Delacroix, Port Fourchon, Yscloskey and Shell Beach. The exhibition is comprised of large- and small-scale oil paintings on linen and birch panel, as well as watercolor on paper. Read More
Courtney Egan’s projection-based sculptural installations meld nature with technology, delivering an experience that is both pleasing and disconcerting. The ethereal projections – converging on walls, floors and sculptural elements – are inspired by the growing frequency of human exposure to nature via computers or television. Egan creates stunning yet “subtly impossible, hybrid tableaus” which envelope the viewer in a conversation between memory of the natural world and a new experience with a plant or flower. She explains the fundamental irony of the experience, stating, “We get closer and farther away from the natural world simultaneously when we experience it through a technological lens.” Read More
Water is a series of large-scale aerial photographs by world-renowned Canadian photographer Edward Burtynsky. The images, often equivocally abstract, portray humankind’s relationship with water and the dramatic effects of industrialization and the consequences of our interference. Burtynsky has traveled the world over the past five years documenting waterfronts, farmlands, irrigation plots, rivers and various water maintenance systems resulting in aesthetically powerful imagery that is at once striking and unnerving. Burtynsky, who strives to find an equal balance between form and content, hopes that the imagery in his work challenges the viewer and initiates a thought process that will eventually lead to a more conscientious view of the importance of this natural and rapidly diminishing resource. Read More
Gene Koss blends simple process with advanced fabrication techniques to create glass sculptures that reveal the constant inspiration provided by the rural landscapes of his youth and life. The internationally known artist’s vision remains profoundly humanist, yet this recent work presents an intentional rawness. Several of the works in this exhibition incorporate found object pieces that have been woven in with the artist’s own dialogue. The work ranges in scale from large cast glass and steel sculptures to smaller blocks dubbed “glass drawings.” Read More
Bruce Davenport, Jr.’s vivid color marker drawings provide detailed reenactments – the bands in precise number and formation and the multitude of spectators surrounding them. The small- and large-scale works on paper are flecked with the artist’s thoughts and tributes, interspersed between the crowds and streets. The rendered still moments evoke the energy and ceremony of the entire procession. The artist has been described as, “not so much a self-taught artist as he is a self-taught anthropologist.” Read More
Willie Birch is a storyteller, compelled to document the world in which he lives. With Southern Gothic: An Insider’s View, he presents the natural world around us, inviting the viewer to observe and interpret the apparent patterns and symbology found in our surroundings. Devoid of the human figure often found in the artist’s work, these large-scale paintings on paper and bronzes explore a deliberate yet improvisational landscape. Read More
George Dureau, a native New Orleanian, has been exhibiting paintings and charcoal drawings since the 1960s. In a style self-described as “Classical Romantic”, he has always demonstrated a singular ability to render the beauty of the human figure in intricate compositions often inspired by allegorical scenes from great paintings and sculpture in Western art. Dureau has stated that, “after drawing and composing with much control and clear intention” he would then proceed “to paint with passion and often abandon.” Read More
Still Brothy, Dave Greber’s second exhibition with the gallery, consists of two video installations Stilllives II: Stilllivin’ and Brothy City (v.2.0). Spontaneity and chance continue to be integral elements of the artist’s creation process. The works communicate formally with the illusion of depth, a prismatic color palette and the “soothing” cadence of a seaside casino. Read More
Robert Gordy is considered one of the most original and creative Southern painters of the twentieth century. His unfortunate death from AIDS in 1986 at the age of 52 was an enormous loss.
The paintings in this exhibition, on both canvas and paper, date from between 1954 and 1981. Many of the works contain the artist’s clean-edged and stylized forms, melodic patterns and flawless color harmonies so characteristic of his work prior to 1982.
Robert Gordy achieved far more beyond exquisite compositional patterning of forms – a technique self-described as “knitting” – and sensitivity to layers of color nuance. Perceptive art critics noted that in this period Robert Gordy invigorated his formalism through careful interest and attention to the French Symbolist-Surrealist tradition. Even in this “aesthetic phase” Gordy had a penchant for emotional release that would surface fully in his later riveting monotypes. In the works prior to 1982 there are often intense emotional realities beneath the apparent calm of the marvelous paintings and drawings. Read More