Press & Media

Arthur Roger Gallery at Art Miami 2016

The Arthur Roger Gallery is very pleased to be a part of Art Miami this year. At Booth B100, we are exhibiting works by John Alexander, Luis Cruz Azaceta, David Bates, Jacqueline Bishop, Douglas Bourgeois, Robert Colescott, Stephen Paul Day, Lesley Dill, James Drake, Troy Dugas, George Dureau, Lin Emery, Vernon Fisher, Tim Hailand, Whitfield Lovell, Deborah Luster, Gordon Parks, Holton Rower, and Amy Weiskopf.

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“Forget the Coasts. Look to the Hinterlands,” The New York Times

Southern Accent: Seeking the American South in Contemporary Art questions and explores the complex and contested space of the American South. One needs to look no further than literature, cuisine and music to see evidence of the South’s profound influence on American culture, and consequently much of the world.

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“Museum-goers can get ‘face to face’ with the human condition,” The Vermilion

“Face to Face: a Survey of Contemporary Portraiture” by Louisiana Artists is one of the recently exhibited selections available for viewing at the Paul and Lulu Hilliard University Art Museum this fall season. The exhibit, which opened Sept. 9, features a set of “12 nationally and internationally acclaimed artists working in a variety of media,” as cited by the museum’s website.

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Arthur Roger Gallery at Art Miami 2015

The Arthur Roger Gallery is very pleased to be a part of Art Miami this year. At Booth C36, we are exhibiting works by Richard Baker, David Bates, Willie Birch, Douglas Bourgeois, Robert Colescott, Stephen Paul Day, Dawn DeDeaux, Lesley Dill, James Drake, Lin Emery, David Leventi, Whitfield Lovell, Stephanie Patton, Erwin Redl and Holton Rower. The exhibition will be on view from December 2 – December 6, 2014 at the Miami Art Pavilion located in the Miami Midtown Arts District.

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“Douglas Bourgeois: Of Reverie & Truth,” New Orleans Art Review

DOUGLAS BOURGEOIS’S ART feels disarmingly intimate. Beyond the rapt technique and startling syntax, what engages your notice ultimately is the circumscribed universe he creates – and further, the abiding spiritual tone of that universe. His paintings suggest some otherworldly realm – usually a lyricized south Louisiana – that exists only in reverie.

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