You don’t need to be an art buff to appreciate the New Orleans Museum of Art’s most recent exhibition: “Pride of Place: The Making of Contemporary Art in New Orleans.” Pride of Place celebrates art collector and gallery owner Arthur Roger’s personal collection that he gifted to the museum.

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[Arthur Roger’s] donation — paintings, sculpture and photography by local and national luminaries of modern art — comprises a new NOMA exhibit, “Pride of Place: The Making of Contemporary Art in New Orleans.” The exhibit opens Friday and runs through Sept. 3. In the exhibit’s 143-page catalog, museum Director Susan M. Taylor describes the gift as “transformational.” It “significantly expands” NOMA’s contemporary art holdings and “reaffirms the museum’s commitment to the work of local New Orleans artists,” she said.

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On June 1, Arthur Roger’s personal collection of paintings, sculptures, drawings, photographs and mixed media pieces will be taken off his walls, packed away and carted over to the New Orleans Museum of Art. He recently donated more than 80 pieces to the museum, including works by national and regional artists such as Luis Cruz Azaceta, Willie Birch, Douglas Bourgeois, Robert Colescott, George Dureau, Robert Gordy, Deborah Kass, Catherine Opie, Robert Polidori, Holton Rower and John Waters, among others.

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When art is word and word is art, what does it signify, where does meaning lie, or need there be meaning at all? Quiver is an exhibition of ambiguous works accessible through multiple interpretations. Words and phrases are as if written on the walls like graffiti written by someone who does not have control of her medium, who may not understand the implications of the words and phrases that are written, floating signifiers existing sans explicit or implicit semantic context, art objects as well as ideas.

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