Lin Emery

This exhibition of new kinetic sculptures by Lin Emery features large-scale and pedestal works, as well as two suspended works. The elements in the sculptures continue to be derived from nature and adopt natural elements such as wind to set them in motion. The two suspended works – one ceiling- and the other wall-mounted – are motorized. This is the artist’s tenth exhibition with the gallery.

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“Not so Random,” Art e-Walk

While Redl’s light installations have been affiliated with the Light and Space movement, this new body of work reaches far beyond “retinal” art to art for the mind, a Duchampian quest. Exploring new dimensions like space and time, the artist aims through his art to control randomness “transferring an idea of randomness through precise calculations.”

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“Farber Foundation Announces Finalists for Cuban Art Awards,” ARTnews

Luis Cruz Azaceta is one of the most prolific, consistent artists. His works range from intimate drawings and monumental paintings, sculptures to intricate installations that convey the individual drama in contemporary global society. He has visualized with a critical eye a wide range of personal and social themes in his paintings.

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“Between Apocalypses,” The New York Times

Dawn DeDeaux has been thinking a lot about the apocalypse, and she’d like to get you in the mood, too. “MotherShip,” her installation for Prospect.3, this town’s international biennial (which, in typical New Orleans fashion, has rolled around not quite on schedule), proposes an exit strategy from planet Earth. Ms. DeDeaux, a mixed-media artist, said she has taken to heart Stephen Hawking’s prediction that earthlings have 100 years left before the planet gives out. Opening Oct. 25, and set in an abandoned, roofless warehouse with trees growing through it, the installation will have recorded music by George Clinton and Sun Ra, giant steel rings that suggest those made for the zeppelins of yore, ladders and stacked chairs as a galactic assist, and places to store your mementos and Ms. DeDeaux’s.

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