Exhibitions

Edward Burtynsky

Water is a series of large-scale aerial photographs by world-renowned Canadian photographer Edward Burtynsky. The images, often equivocally abstract, portray humankind’s relationship with water and the dramatic effects of industrialization and the consequences of our interference. Burtynsky has traveled the world over the past five years documenting waterfronts, farmlands, irrigation plots, rivers and various water maintenance systems resulting in aesthetically powerful imagery that is at once striking and unnerving. Burtynsky, who strives to find an equal balance between form and content, hopes that the imagery in his work challenges the viewer and initiates a thought process that will eventually lead to a more conscientious view of the importance of this natural and rapidly diminishing resource. Read More

Gene Koss

Gene Koss blends simple process with advanced fabrication techniques to create glass sculptures that reveal the constant inspiration provided by the rural landscapes of his youth and life. The internationally known artist’s vision remains profoundly humanist, yet this recent work presents an intentional rawness. Several of the works in this exhibition incorporate found object pieces that have been woven in with the artist’s own dialogue. The work ranges in scale from large cast glass and steel sculptures to smaller blocks dubbed “glass drawings.” Read More

Bruce Davenport, Jr.

Bruce Davenport, Jr.’s vivid color marker drawings provide detailed reenactments – the bands in precise number and formation and the multitude of spectators surrounding them. The small- and large-scale works on paper are flecked with the artist’s thoughts and tributes, interspersed between the crowds and streets. The rendered still moments evoke the energy and ceremony of the entire procession. The artist has been described as, “not so much a self-taught artist as he is a self-taught anthropologist.” Read More

Willie Birch

Willie Birch is a storyteller, compelled to document the world in which he lives. With Southern Gothic: An Insider’s View, he presents the natural world around us, inviting the viewer to observe and interpret the apparent patterns and symbology found in our surroundings. Devoid of the human figure often found in the artist’s work, these large-scale paintings on paper and bronzes explore a deliberate yet improvisational landscape. Read More

George Dureau

George Dureau, a native New Orleanian, has been exhibiting paintings and charcoal drawings since the 1960s. In a style self-described as “Classical Romantic”, he has always demonstrated a singular ability to render the beauty of the human figure in intricate compositions often inspired by allegorical scenes from great paintings and sculpture in Western art. Dureau has stated that, “after drawing and composing with much control and clear intention” he would then proceed “to paint with passion and often abandon.” Read More

Dave Greber

Still Brothy, Dave Greber’s second exhibition with the gallery, consists of two video installations Stilllives II: Stilllivin' and Brothy City (v.2.0). Spontaneity and chance continue to be integral elements of the artist’s creation process. The works communicate formally with the illusion of depth, a prismatic color palette and the “soothing” cadence of a seaside casino. Read More

Robert Gordy

Robert Gordy is considered one of the most original and creative Southern painters of the twentieth century. His unfortunate death from AIDS in 1986 at the age of 52 was an enormous loss. The paintings in this exhibition, on both canvas and paper, date from between 1954 and 1981. Many of the works contain the artist's clean-edged and stylized forms, melodic patterns and flawless color harmonies so characteristic of his work prior to 1982. Read More

Stephen Paul Day

Stephen Paul Day has chosen to be both creator and curator for Blame It On Vegas – Collecting Meta-Modern, his seventh exhibition with the gallery. Sculpture, neon and paintings make up this collection of new, engaging works that oscillate between humor and horror, history and the present and also between the artist’s vocabulary – color, form, and significance of materials – and his viewpoint – how one engages the viewer to make sense of the vision he is presenting. Grouped together as they would be in a museum, there is an intentional ambiguity as to who made each work. Day describes himself as a “Disney kind of collector, putting together a ‘wunderkammer’ of excellent art, artifacts, and story.” Read More

Troy Dugas

The intricate, large-scale cut paper assemblages in The Shape of Relics are created from unused product labels that artist Troy Dugas collects. The shredded or cut source material is meticulously arranged to create mesmerizing compositions that appear woven. The purpose of the original label is obscured through the use of repetition, pattern, symmetry, precision and scale. New meaning is created by the reinterpretation of color, shape and line. Read More