Press & Media

“Beyond Borders,” Art e-walk

Neapolitan (Comic Book Diplomacy, Go Cups and Water Bottle Buoys), Christopher Saucedo’s latest exhibition at Arthur Roger Gallery assembles varied works from the sculptor with an emphasis on his Comic Book Diplomacy series.

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Dawn DeDeaux and Lonnie Holley: Thumbs up for the Mothership at MASS MoCA – Opening May 28, 2017

New Orleans native Dawn DeDeaux opens a new exhibition next week as part of the grand opening of Building 6 at the Massachusetts Museum of Contemporary Art (MASS MoCA). DeDeaux shows together with Lonnie Holley and other Building 6 artists including Laurie Anderson, Louise Bourgeois, Jenny Holzer and James Turrell. The new MASSMoCA Building 6 makes the museum one of the largest venues for contemporary art in the world.

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“Gallery owner Arthur Roger donates his extensive personal art collection to NOMA,” The Times-Picayune

On June 1, Arthur Roger’s personal collection of paintings, sculptures, drawings, photographs and mixed media pieces will be taken off his walls, packed away and carted over to the New Orleans Museum of Art. He recently donated more than 80 pieces to the museum, including works by national and regional artists such as Luis Cruz Azaceta, Willie Birch, Douglas Bourgeois, Robert Colescott, George Dureau, Robert Gordy, Deborah Kass, Catherine Opie, Robert Polidori, Holton Rower and John Waters, among others.

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David Yarrow – Human Nature

BY MARIKO FINCH for Sotherby’s | 11 MAY 2017 David Yarrow has a photographic career spanning more than thirty years. From his origins in sports photography, in recent years he… 

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“Exhibition Pick: Luis Cruz Azaceta,” Pelican Bomb

Luis Cruz Azaceta’s current show at Arthur Roger Gallery, “On The Brink,” makes a statement on contemporary social and political issues. But first, one might get distracted by the artist’s flashy abstract style. Azaceta’s process of stacking primary and secondary colors in the form of polygonal shapes is eye-popping. Azaceta was born and raised in Cuba, to whose vibrant culture one may attribute his neon color palette.

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“HORROR VACUI: An Interview With Douglas Bourgeois,” The Iron Lattice

In spite of his relative seclusion in rural Louisiana, Douglas Bourgeois never wants for inspiration. On almost every inch of wall space in his simple cottage in St. Amant hangs the artwork of his friends and contemporaries. His art studio, lined with orderly shelves of assorted objets, could double as a curio shop. His curiosity lies at the heart of his creative vitality; the bold colors and elaborate and peculiar details of his paintings indicate a man who is dazzled by the world around him.

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“Dawn DeDeaux: Our Future,” New Orleans Art Review

I CLEARLY REMEMBER walking through Dawn DeDeaux’s installation MotherShip III: The Station near the intersection of Elysian Fields and St. Claude Avenues. It was close to the end of the biennial (as it was structured then) in the late afternoon, overcast, with temperatures in that New Orleanian limbo area between warmth and chill.

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