“Apocalypse Now: Jacqueline Bishop,” Pelican Bomb
[Jacqueline] Bishop’s long career in working at the intersection of environmentalism and visual art includes not just Louisiana and the Gulf Coast, which inspires much of her work, but a longstanding relationship with Central and South America and the rainforest conservation work of the late Brazilian rubber-tapper Chico Mendes. Close to home, Bishop’s imagery has always focused on native flora and fauna, painting them with a mixture of close, attentive realism and wild, exuberant surrealism, not unlike a latter-day Hieronymus Bosch. And similar to The Garden of Earthly Delights, in much of Bishop’s work, looking at her paintings is like reading a sentence in which we recognize the words but don’t understand the grammar.