Whitfield Lovell
Exhibition Dates: April 3 – 24, 2004 Opening Reception: Saturday, March 6 from 6 – 8 pm Gallery Location: 432 Julia Street, New Orleans, LA 70130 Hours: Monday – Saturday,…
Exhibition Dates: April 3 – 24, 2004 Opening Reception: Saturday, March 6 from 6 – 8 pm Gallery Location: 432 Julia Street, New Orleans, LA 70130 Hours: Monday – Saturday,…
Exhibition Dates: April 3 – April 24, 2004 Opening Reception: Saturday, April 3 from 6–8 pm Gallery Location: 434 Julia Street, New Orleans, LA 70130 Hours: Monday–Saturday, 10 am–5 pm Contact…
Rule Gallery director Robin Rule has a taste for art with a less-is-more aesthetic, and she has made her place on Broadway Denver’s “minimalist central.” Over the years, she’s showcased first-generation minimalists from New York, including Carl Andre and Mary Obering, as well as local practitioners, notably Clark Richert, the dean of geometric painters in the region. Sometimesthough only rarelyRule takes a risk with an emerging local artist who is doing a contemporary take on minimalism.
Remember when you were a kid and you used to lay on the carpet so that your eyes were even with your toy soldiers or dinosaurs or doll house. It changed your whole perspective — literally and figuratively. You were part of the scene, part of the action, and the big world around you didn’t count anymore. It’s a universally known form of little kid surrealism.
“I always feel that if you asked me what movie that is from that the work has failed,” says filmmaker John Waters about his new photography retrospective at the New Museum of Contemporary Art.
Language as an instrument of perfect paradox, a medium of both exposure and concealment, has been Lesley Dill’s subject for many years. This exhibition included work both more physically condensed and more ethereal than she has shown before.
Moroles Granite Sculpture by Jan Ernst Adlmann, Peter C. Marzio (Introduction), Herring Press Inc.: 2004, 255pp. (hardcover) Over 328 illustrations in color, 50 black and white drawings. Introduction by Peter…
Hommage to Ste. Anne is Ersy Schwartz’ parade of bronze and wood miniature figures and floats, some arranged en masse to evoke the Mardi Gras marching parade that serves as its namesake. Others, variants of those designs, are presented individually atop stark white pedestals in the rear chamber. The little floats, and the figures that ride atop or alongside them, are very much in the spirit of the actual parade, yet are far more fastidious than the event itself. They are, in fact, very Ersy, an artist whose deftly precise touch recalls artists ranging from Bosch to Beardsly.
As Louisiana”s leading fantasy-based realist painter, Douglas Bourgeois deserves both a broader audience and more probing analysis. In the wake of his first retrospective, “Baby-Boom Daydreams,” he is likely to get both.
The Arthur Roger Gallery is presenting “Hommage to Ste. Anne,” an installation by New Orleans artist Ersy from March 6 through March 27, 2004. There will be an opening reception on Saturday March 6th from 6 to 8 pm.