“The Death of the Poet,” ArtNet

The Death of the Poet by Charles Finch, ARTNET Robert Colescott’s painting Death of Poet depicts a handsome man with an enigmatic smile staring contentedly through his memories of a… 

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Robert Polidori: Parcours Muséologique Revisité

In Parcours Muséologique Revisité Robert Polidori delivers a sublime photographic tract on architectural revisionism by charting the decades-long conservation project at Versailles. One of the world’s largest palaces, and a symbol of absolute monarchy in France, Versailles is a supremely apropos building through which to address matters of revisionism, having been subjected to four building campaigns (between 1664 and 1697) by Louis XIV alone, and several modifications since.

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“Robert Colescott: 1925-2009,” The Oregonian

Robert Colescott, the gifted American artist whose often outlandish but always gorgeous paintings pondered racial stereotypes and other thorny aspects of race relations in America, passed away Thursday at his home in Tucson.

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“Memory as Art,” by Lisa Leblanc-Berry

As an ardent film buff, one of my all-time favorite movies I have watched repeatedly since childhood is The Wizard of Oz”. So it came as a refreshing surprise to discover New Orleans artist Nicole Charbonnet’s dreamy renditions of the film as mixed media on canvas.

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“Jame Surls’ works: ‘An unpolished beauty’,” by Stewart Oksenhorn

CARBONDALE — Finding James Surls’ Missouri Heights studio isn’t all that difficult. The directions aren’t tricky, and even if they were, there are not many shiny-new, 7,000-square foot metal structures in the area. Still, when I drove up recently to meet the artist at his studio, I had a small worry that Surls had not given me a street number.

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