All posts by Stephen Hawkins

Team Chihuly

World renowned artist, Dale Chihuly has developed many techniques during three decades as one of the most successful glassworkers in the world – primary among them is the role of teamwork in artistic creation.

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Mixed (Media) Messages

By Benjamin Genocchio for The New York Times “Tremendous World” is the apt title of Lesley Dill’s exhibition now at the Neuberger Museum of Art, where extremely large, dramatic works… 

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“This land is our land,” National Post

Eighty percent of Canadians live in cities, but you wouldn’t know it from our art collections. From the Group of Seven in the east to Emily Carr in the west, the canon depicts our land as one of wilderness and farms, not freeways. It’s this absence of the pictured urban, in part, that makes John Hartman’s Cities series so affecting: It shows we can have beautiful paintings of Calgary, Vancouver and Toronto, rather than just the parks adjacent to them. Yet Hartman doesn’t rehash clichéd, neon-flashed, bass thumping visions of urban life. Rather, he portrays cities as organic entities. Leah Sandals spoke to Hartman at his Lafontaine, Ont., abode.

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John Waters: Unwatchable

In a powerful new body of photographs, sculpture and installation, John Waters continues his investigations of film history and contemporary politics. Primarily known as the filmmaker behind such cult classics as Pink Flamingos, Polyester and Pecker, Waters has been making “fine” art since the early 1990s. In it, he tackles both cinematic themes and political events by building narratives, frame by frame, from early commercial films. In this publication, Waters shares the method by which he constructs each work as if he were making a personal guidebook, so that his snapshots, color photographs and handwritten notes indicating composition are re-created as if in their original plastic organizational sleeves. Neither the art world, celebrity miscreants, politicians or Waters himself are spared in these incisive new works. An essay by Brenda Richardson examines Waters’s history, as well as each work, in brief and brilliant detail.

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Celebrating Freedom: The Art of Willie Birch

For the past ten years, Birch has been documenting the African American culture of his native New Orleans in large-scale sculpture and drawings that emphasize body language, dress codes, and everyday rituals. His guileless polychrome sculptures evoke both social history and emotion. His use of talismans give the viewer a window to another time, be it through old construction nails symbolizing power and strength to a small West African paper mach, stool that stands apart as a symbol of nobility. Dedicated to the children of New Orleans, this is the first publication to examine Birch’s career whose re-imagining of African and Southern folk art inspires thought provoking discussions as well as contemporary sculpture and design. It includes two essays and an interview with the artist, as well as color reproductions of key works dating from 1968-2004.

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Ida Kohlmeyer: Recent Works

A retrospective of lively work from the New Orleans artist. Ida Rittenberg Kohlmeyer became one of the most prominent abstract artists in the South and started her career late, turning to art in her late thirties in search of a deeper meaning and purpose in life. She was primarily known as a New Orleans artist. She moved from an early figurative style in paintings of children to Abstract-Expressionism, influenced by a summer’s study in Provincetown, Massachusetts, with Hans Hofmann. In her lifetime she had major exhibitions at the National Museum of Women, the Mint Museum (Charlotte, NC), New Orleans Museum of Art and the High Museum of Art.

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