All posts by Stephen Hawkins

TEN YEARS GONE at the New Orleans Museum of Art

Timed to coincide with the tenth anniversary of Hurricane Katrina, Ten Years Gone features six contemporary artists who explore the passage of time, memory, loss, and transformation. Opens May 29th, 2015. On view through September 7th, 2015

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“Amer Kobaslija at Arthur Roger Gallery,” Daily Serving

For Kobaslija, the studio is a unique and personal world built of interchangeable stuff: floors, walls, shelves, canvases, paint, paper, chairs, tables, brushes, easels, and lighting fixtures repeat themselves across the series, their positions made mysterious by the absent bodies of the artists working (and sometimes living) inside. The invisible movements and patterned routines of the artists order the placement of these unique assemblages, turning each picture into a leftover document of the “work” of the work of art.

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“‘Opera’: A Photographer Documents from Center Stage,” The Wall Street Journal

Photographer David Leventi’s new monograph, ‘Opera’ (Damiani) is the sum of many parts. “As the son of two architects, I experience an almost religious feeling walking into a grand space such as an opera house” writes Mr. Leventi, an architectural photographer who, over the course of eight years photographed the interiors of more than 40 opera houses around the world.

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“Whitfield Lovell: Deep River,” Arbus Magazine

The Cummer Museum of Art & Gardens is thrilled to present the work of MacArthur Fellowship winner and internationally-recognized artist Whitfield Lovell. On display through September 13, Whitfield Lovell: Deep River is a multi-media installation that explores ideas of memory, identity, and freedom. Sculpture, video, drawing, sound, and music join together to create a unique experience that takes visitors on a symbolic journey in search of liberty.

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Amer Kobaslija

A comprehensive monograph on the life and work of Amer Kobaslija, 126 fully illustrated pages in hardcover with essays by Michael Amy, Edward M. Gomez, and Patterson Sims. The books examines all of the artist’s different bodies of work, including: his paintings of the aftermath of the 2011 earthquake and tsunami in Japan, for which he won a 2013 Guggenheim Fellowship; his ongoing series depicting artist studios; and his recent paintings of Florida’s everglades.

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“Douglas Bourgeois: Of Reverie & Truth,” New Orleans Art Review

DOUGLAS BOURGEOIS’S ART feels disarmingly intimate. Beyond the rapt technique and startling syntax, what engages your notice ultimately is the circumscribed universe he creates – and further, the abiding spiritual tone of that universe. His paintings suggest some otherworldly realm – usually a lyricized south Louisiana – that exists only in reverie.

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