George Dureau: paintings; Clyde Connell; paintings and sculptures; and Wellington Reiter: environmental installation; all at the Arthur Roger Gallery, 432 Magazine St., through April 22.
Two large sculptures and one small one were shown in the New Orleans artist’s first solo show in New York. Timber, Plow and Ridge Road Climb unveiled an artist of skill, intervention, and unexpected beauty.
At the Susan Cummins Gallery, L.A. based artist Jim Barsness deals with the collapse of empires ancient and modern and the vanity of human wishes.
Art Pick of the Week BY PETER FRANK “New Orleans based-artist Dawn DeDeaux suggest that the expected source of the ‘trouble’ is itself troubled, yet manifests its own tragic nobility. The focus of her darkly dramatic Soul Shadows: Urban Warrior Myths is the young African-American male. She populates the corridors of her catacomb-like – or…
This will be a boring review. The reasons for its being boring are, however, exceptionally good.
November 1992 Exhibition at Arthur Roger Gallery in New York
Exhibition Dates: November 13 – December 23, 1992 Gallery Location: 136 Prince Street, New York, New York 10012 Hours: Tuesday–Friday, 10 am–6 pm, Saturday 11 am–6 pm Contact Info: 212.966.4017 The Arthur Roger Gallery is pleased to announce the opening of W. Steve Rucker’s most recent installation entitled “Better Homes, Better Gardens.” The gallery will…
Exhibition Dates: September 8 – October 3, 1992 Opening Reception: Saturday, September 8 from 6–8 pm Gallery Location: 136 Prince Street, New York, NY 10012 Hours: Monday–Saturday, 10 am–5 pm Contact Info: 212.966.4017 The Arthur Roger Gallery is pleased to present Fear of Painting, an exhibition of work featuring Lee Gordon, Deborah Kass, Lari Pittman, Alexis…
James Drake’s installation for his 1992 exhibition at the Arthur Roger Gallery in New York.
Clyde Connell began making art when she was almost 50 years old — she is now 91 — and the contemporaries who most influenced her span several generations. Adolph Gottlieb’s paintings, new when she saw them, stirred her interest in pictographic forms; the example of Eva Hesse’s work a few decades later encouraged her pursuit of sculpture in low-art materials.