Jesús Moroles: Broken Earth
September 2004 Exhibition at Arthur Roger Gallery Project
September 2004 Exhibition at Arthur Roger Gallery Project
When David Halliday wanders through a grocery store or farmer’s market, he’s just like any other gourmet shopper on the lookout for a crisp bunch of arugula or a pristine fillet of salmon.
In a similar way Willie Birch has helped introduce the world to the style and culture of the inner city streets. Birch transformed its often anonymous messages into a visual language of individual commentary and expression acceptable to the art gallery world.
All right, so this is not the title of either of the solo October exhibits at Arthur Roger’s two, separate exhibition spaces. Rather, Jesus Moroles” is entitled “Broken Earth” at the Arthur Roger Gallery Project location, and James Drake’s is “City of Tells” at Arthur Roger Gallery on Julia.
Exhibition Dates: August 7 – September 18, 2004 Gallery Location: 730 Tchoupitoulas Street, New Orleans, LA 70130 Hours: Tuesday – Saturday 12:00 – 5:00 pm Contact Info: 504.522.1999; arthurrogergallery.com The…
John Waters loves the art world. His delinquent, satirical vision has inspired generations of artists and outsiders. Next month, the New Museum of Contemporary Art presents “John Waters: Change of Life,” Feb. 7-April. 15, 2004, an exhibition of 80 photographs and other works.
From the start, Steve Rucker pushed the limits of ceramics. His first show featured unglazed clay and willow sticks; later he torched large-scale wood and clay sculptures – “site specific burns” – on levees around New Orleans.
The Arthur Roger Gallery is pleased to present an exhibition of recent work by Ted Kincaid from August 7 – September 18, 2004. The opening reception will be Saturday, August 7th from 6 to 9 p.m. in conjunction with White Linen Night.
Nationally known artist Willie Birch is a busy guy. He’s helping to put the finishing touches on the catalog for his retrospective exhibition at the Contemporary Arts Center in January.
Precious they are not. Unlike so many other glass artists, Gene Koss could never be accused of producing works that were in any way frail, overly ornamental or unnecessarily delicate, and that may be a mixed blessing in a medium long associated with the Venetian predilection for frou-frou.