All posts by staff

Srdjan Loncar 2008

The Arthur Roger Gallery is pleased to present an exhibition of recent sculpture installations by Srdjan Loncar. The exhibition will be on view at the Arthur Roger Gallery, 432 Julia Street from November 1st – 29th, 2008. Mr. Loncar will be in attendance at the opening reception hosted by the gallery on Saturday, November 1st, from 6 to 8 pm in conjunction with the opening night of Prospect.1.

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David Bates: The Storm

ARTHUR ROGER @434 is pleased to present its inaugural exhibition “The Storm,” a series of new paintings based on the Hurricane Katrina disaster by Texas-based artist David Bates. The exhibition will be on view November 1st – 29th, 2008 at the Arthur Roger 434, located at 434 Julia Street. David Bates will be in attendance at the opening reception hosted by the gallery on Saturday, November 1st, from 6 to 8 pm.

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“On the Nature of Glass,” New Orleans Art Review

DALE CHIHULY MUST have been a bad student! He was obviously not paying attention when his general science teacher was explaining to the class that glass was an inorganic amorphous solid. “Amorphous? Inorganic? How can that be?”

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“In His Element,” Oxford American

Four paintings in a series: A house lies skewed in the middle of an empty Street, its clapboards turned into undulating waves by the chaos of wind and water. A burly guy dressed in pleasure-club regalia offers a raised hand and a big smile, a second-line shout-out seeming to hang over his velvet fedora.

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Dale Chihuly: Black Work

The Arthur Roger Gallery is pleased to announce the continuation of an exhibition of new glass sculpture, installations and drawings by internationally acclaimed artist Dale Chihuly from his latest series, “Black Work.” The exhibition will be on view August 2nd through October 18th at the Arthur Roger Gallery, 432 Julia Street. The gallery will host an opening reception Saturday, October 4th from 6-9 pm, in conjunction with “Art for Art’s Sake.”

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“Taking Flight”, Garden & Gun

It’s raining in New Orleans, and just before I set foot in Jacqueline Bishop’s studio, I’m looking at my shoes. I’m wiping them on the doormat, mostly because I don’t want to track mud inside, but because I’m wearing new suede boots and I want to see if, crossing the puddle-filled courtyard between her Garden District house and her studio, I’ve ruined them. That’s what I”m thinking about when I step over the threshold– shoes.

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