Excerpt from “Lin Emery: Unique Forms of Continuity in Space and Time” in Sculpture Magazine, by Philip F. Palmedo
“Originality has an inside and an outside. Understanding the nature of originality in sculpture requires an understanding of both—of the inside, what it is in the sculptor’s life that created her artistic personality, and the outside, what sets her work apart from that of other artists of similar inclination. In Lin Emery’s case, there is a strong connection between these two sides of originality: the personal dynamic of her artistic evolution explains her place in the history of kinetic sculpture. There is a consistent element of autonomous discovery in Emery’s artistic life, as well as a highly personal mix of philosophical and artistic influences. In some ways, her work constitutes a logical part of the tradition of kinetic sculpture that descends from Constructivism. But her sensitivity to natural forms and modes of movement sets her work apart and enriches that tradition.”
Read full article here.