Circulation of Light features three distinct projection-based works, which meld technology with nature. Crystal Gazers features groupings of cast glass medallions infused with light from a single channel projection cascading from forged metal branches. Fountain is a wall-mounted collection of cast glass “bottles” with projected water spilling from one to the next. In both works, the surface and depth of the glass break up the images and add dimension to the otherwise flat projection. Finally, Dreamcatcher is a motion-activated video projection offering the viewer the experience of witnessing the budding and then contraction of a single bloom. Inspired by the growing frequency of human exposure to nature via computers or television, Egan creates stunning yet “subtly impossible, hybrid tableaus” which envelope the viewer in a conversation between memory of the natural world and a new experience with a plant or flower. She explains the fundamental irony of the experience, stating, “We get closer and farther away from the natural world simultaneously when we experience it through a technological lens.”