“Mary Jane Parker: Keepsakes,” R&F Paints
by Laura, R&F Paints I recently attended the Southern Graphics Councils’ annual conference, which was held this year in New Orleans. One of the highlights for me was an opportunity…
by Laura, R&F Paints I recently attended the Southern Graphics Councils’ annual conference, which was held this year in New Orleans. One of the highlights for me was an opportunity…
Exit Art announces its final exhibition EVERY EXIT IS AN ENTRANCE: 30 YEARS OF EXIT ART. Founded in 1982 by Executive Director Jeanette Ingberman and Artistic Director Papo Colo, Exit Art has grown from a pioneering alternative art space into an innovative cultural center. We have supported and fostered a vibrant, interdisciplinary artistic community in New York, organizing over 200 exhibitions, events, festivals and programs featuring more than 2,500 artists. Consistently challenging social, political, aesthetic and curatorial norms, Exit Art has organized historical exhibitions; presented the work of young, emerging, under-recognized and mid-career artists; produced experimental theater and performance works; and organized national and international film and video programs. Committed early on to experimenting with the intersections of film, video, performance, music, publications, design and visual art, Exit Art remained steadfast in its mission to provide new possibilities and opportunities for both artists and audiences alike.
Joseph Havel’s sculptures exemplify the fluid condition between meanings, associations and the histories of common materials. Through reconfiguration of shape and material, everyday objects such as shirt labels, collars, flags and sheets present new impressions without erasing evidence of the originals. The intent of the artist “is for memory, an associative pentimento, to dissolve the resoluteness of the forms into something more poetic.”
The paintings in “Down Highway 23” are the result of a fishing trip in the late spring of 2010, the fateful year of the Deepwater Horizon oil spill. Instead of the planet’s finest redfish, David Bates was met with a poisoned landscape crawling with reporters, politicians and well-meaning volunteers. Through the hubbub, Bates observed the faces and posture of the local fishers and crabbers. Although wary, their looks also conveyed a resolution far from resignation.
From Oxford American, “Out of overwhelming curiosity, we wanted to discover the most talented and thrilling up-and-coming artists in the South. So we enlisted a range of Southern experts (gallery owners, curators, critics, artists) to help us find them. To make things manageable, we limited our interest (for the time being) to those who paint, photograph, and draw.”
Firmly rooted in the culture of south Louisiana, Lafayette artist Francis X. Pavy (b. 1954) arranges archetypal images into patterns within his paintings, block prints and sculptures. His colors and shapes walk the line between complementary and discordant, resulting in a variety of iconic yet contemporary Cajun imagery, all battling on his canvas for attention, in the same way daily aspects of Cajun culture – food, music, and art — resist hierarchical alignment.
Exhibition Dates: March 3 – March 31, 2012 Opening Reception: Saturday, March 3 from 6 – 8 pm Gallery Location: 432 Julia Street, New Orleans, LA 70130 Hours: Tuesday –…
Francis Pavy is a visual narrator of South Louisiana’s vibrant culture. The selected works in “200: Art Inspired by 200 Years of Louisiana Statehood” are not historical representations; rather, they are all new pieces inspired by events, people and themes that have figured in the history of Louisiana.