Nicole Charbonet’s current body of work, entitled, The Truth about God, deals with subjects such as the temporality of the material world and the power of nature. Charbonnet portrays these thoughts in a series of canvases, all done in mixed media and acrylic. Her works are at once alarming but offer a sense of calm in their soft, fresco like appearance, reminiscent of the colors of Pompeii, muted almost to a whisper with the patina of time.

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THE ANCIENT ARCHETYPES of various European, Caribbean, Native American, and African cultures weave together this timeless exhibition of totemic carvings by John Geldersma. With simple wood and paint, the colors of which seem almost inspired by fire, he reaches into an understanding of humanity, the history of its culture, unmistakably modem because of its far reaching universality.

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NOW, ASK YOURSELF, honestly, what kind of art would you imagine you would find when you read that an exhibition involving Waters and Flood was opening at the Arthur Roger Gallery this month?

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With the sympathetic understanding of the insider and the objectivity of the ethnographer, artist Willie Birch furthers the social documentary tradition of photographers Helen Levitt, Roy de Carava, and Robert Frank.

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