“A Canadian Witness to New Orleans’ Demise”, Toronto Star
With tonnes of art representing the world’s great cities already in its halls and vaults, the Metropolitan Museum of Art is now dealing with work from an ex-Montrealer.
Monthly Archives: September 2006
Mark Flood: Assorted Rags
The Arthur Roger Gallery is pleased to present “Assorted Rags,” an exhibition of recent paintings by Texas-based artist Mark Flood. The exhibition will be on view from October 7th – 28th at the Arthur Roger Gallery, located at 432 Julia Street. Flood will be present at the opening reception hosted by the gallery on Saturday, October 7th from 6 to 8 pm in conjunction with “Art for Art’s Sake.”
John Waters: Unwatchable
The Arthur Roger Gallery is pleased to present “Unwatchable,” an exhibition of the most recent photographic work by John Waters. The exhibition will be on view from October 7th – 28th at the Arthur Roger Gallery located at 432 Julia Street. Waters will be present at the opening reception hosted by the gallery on Saturday, October 7th from 6 to 8 pm in conjunction with “Art for Art’s Sake.” Additionally, the artist will lead a walkthrough of his exhibition on Friday, October 6th at 6 pm.
“John Geldersma: Spirit Poles”, Gambit Weekly
The turn-of-the-century British occultist Aleister Crowley loved New Orleans, calling it “… the greatest city in America, with the best red light district this side of Cairo, a beacon of civilization surrounded by an intriguing wildness.”
“Whitfield Lovell”, Art in America
Artifacts of a bygone era—barn doors, a spinning wheel, tin snips, playing cards, a revolver, a tin cup—are culled by Whitfield Lovell for his tableaux. All are worn smooth by the hands of individuals long dead, for whom these were means of diversion, labor, self-defense or sustenance. Lovell animates the lost narratives embedded in these personal effects with shadowy charcoal portraits based on anonymous studio photographs, some drawn directly on the artifacts, others on aged wood boards.
“The Studio as Muse, Workplace as Refuge,” American Art Collector
Annie Dillard wrote that “Appealing workplaces are to be avoided. You need a room with no view so imagination can meet memory in the dark.”
“Nicole Charbonnet”, Southern Accents
Nicole Charbonnet grew up playing hide-and-seek in the majestic, crumbling aboveground Lafayette cemetery in New Orleans. Today, she still lives in New Orleans, creating layered images on paper and canvas in which the present hides within the past like a child crouching between tombstones.