“Notebook: Formalisms”, The New Orleans Art Review
As a primary and collective ethos, postmodernism probably no longer exists. Too many years have passed. And yet, as sheer effect, it seems absolutely pervasive —and interminable.
As a primary and collective ethos, postmodernism probably no longer exists. Too many years have passed. And yet, as sheer effect, it seems absolutely pervasive —and interminable.
As a primary and collective ethos, postmodernism probably no longer exists. Too many years have passed. And yet, as sheer effect, it seems absolutely pervasive —and interminable. A movement that was, at once, soundly intellectual and blithely reactionary, now proceeds rutterless.
At first glance the room seems cluttered with wildly disparate icons, the detritus of western culture: ceramic pencils, mirrors, piano keys, floppy disks, dollar bills, musical notes, hamburgers, coffee cups, religous symbols.