Press & Media

“Re-Seed,” Urban Glass

Walking into Gene Koss’s studio in Belle Chasse, Louisiana—a corrugated metal industrial building a half hour’s drive across the river from central New Orleans—the first thing you see is a sculpture model.

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“Prestidigtations & Permutations,” New Orleans Art Review

Prestidigitations & Permutations By Karl F. Volkmar In one of the more curious moments in nineteenth century Europe’s fascination with spiritual phenomena and the occult, Alphonse Louis Constant, under the pen name Eliphas Levi, wrote books on the history and practice of transcendental magic in one of which he explains how to communicate with the… 

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“Whitfield Lovell: Autour Du Monde,” Nka

Whitfield Lovell: Autour Du Monde BY JULIE L. MCGEE, Nka I wonder where is all my relations / Friendship to all and every nation. David Drake The American artist Whitfield Lovell has been collecting and using vintage accoutrements—the material culture of late-nineteenth-and early-twentieth-century African American life, including photographs — for many years. He is best… 

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“Strange Alchemy,” Gambit Weekly

Strange Alchemy By Eric D. Bookhardt, GAMBIT WEEKLY The objects on view are all too familiar, though not necessarily reassuring. Wrecking balls, ladders and water, lots of water, offer no end of troubling associations — and not just for local associations. Those same images also resonate in the wake of the recent horrific flooding in… 

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“Gallery Walk,” New Orleans Art Review

Gallery Walk James Surls at Arthur Roger by Karl F. Volkmar, New Orleans Art Review The organic, monumental wood and steel sculptures of James Surls dominate the main gallery at Arthur Roger. Their massiveness is contrasted with weightlessness by their vertical suspension from the ceiling; even mounted on stands on the floor, they seem impossibly… 

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