Press & Media

“Last Call: Still Lifes,” NolaVie

Weiskopf’s paintings elevate domestic life to something more exotic. Regional fruits and local delicacies like tropical longan berries, cold-weather quinces, and Italian Ossi dei Morti cookies become objects of beauty, worthy of being celebrated on canvas. The artist’s delicate renderings of the smallest details result in a body of work that invites careful viewing and rewards those who take the time to stop and pay attention.

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“Artist Profile: David Halliday,” New Orleans Homes & Lifestyles

David Halliday is a master of still photography. He is known for his captivating portraiture, his still-lifes of exquisite ripened fruit (some with sexual undertones), his ethereal landscapes and his anthropological renderings of ordinary objects. But within the serene stillness of his works lie movement and life.

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“Southern Masters: David Bates,” Garden & Gun

In 1982, when David Bates painted the monumental Ed Walker Cleaning Fish, he still made his living teaching art history at Southern Methodist University, where he’d gotten both his undergraduate degree and his MFA. The “little red house” in which he and his wife, the painter Jan Lee Bates, lived at the time, had walls so small he jokes that one could have made a nice easel for the 84-by-72-inch portrait. “I never really counted on making a living doing this,” Bates says, adding that it was the teaching salary that freed him up to make pictures of subjects that spoke to him. “That’s why I could paint an old black guy cleaning fish with a bucket of fish guts at his feet. Because I never thought anybody was going to buy something like that.”

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“New Orleans: The Last Bohemia,” National Geographic Traveler

I first met Jacqueline Bishop down in Cuba, where we both found Havana reminiscent of her own hometown, New Orleans. A seasoned traveler and visual artist, Jacqueline takes her inspiration from the natural world and its wettest places, be it Bangladesh, the Amazon, or her own beloved Louisiana swamps.

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“An artistic odd couple at the deCordova,” The Herald News

Like artists who work with paint or marble, Lesley Dill and Ian Hamilton Finlay use words, signs and poetry to fashion intriguing art that explores the nature and meaning of language itself. Sharing little but a willingness to provoke, they are exhibiting challenging bodies of work fashioned from wildly varied material at the deCordova Sculpture Park and Museum.

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