Press & Media

“Shipwrecks and Other Moons,” The Great God Pan is Dead

One could, on seeing Ted Kincaid’s photos at Devin Borden Gallery, be tempted into a conversation on the authenticity of photography. But that conversation would be old hat. What interests me is that these highly manipulated images are not obviously double-coded. They aren’t images of things and about being images of things. They generally lack irony. Read More

Ted Kincaid Profiled in Houston Magazine – January 2013

Dallas-based artist Ted Kincaid, who creates ethereally beautiful, landscape-recalling photographic-type images, has two passions- nature and history- and his work rarely diverts from those themes. Ships disappear into storms, listing in the waves; vibrant clouds display otherworldly hues; tree branches form impossible webs, veiling the forest. Read More

“Mixed-Media Photographs and glass sculpture at Arthur Roger Gallery,” Gambit

In December, New Orleans is brimming with art events including Prospect.2, photo shows at PhotoNOLA’s array of gallery shows and the architecture expo DesCours, presented by the local chapter of the American Institute of Architects. It’s a bit much. Among the photography shows, Arthur Roger Gallery got a jump start with Ted Kincaid’s archaic looking land, sea and sky scenes resembling 19th century “wet-plate” photographs, a process prized for its poetic imperfections, but Kincaid’s work is mostly digital. Here the landscapes are dramatically otherworldly, as if some 19th century romantic artist like Alfred Bierstadt had suffered many darkroom mishaps but still got some occasionally inspired results. Read More

“John Pomara, Scott Barber, and Ted Kincaid,” Art Lies, A Contemporary Art Quarterly

Visual art does not emerge from a void. Instead, it is bound by its own history and the temper of its time. In fact, now more then ever, art is riddled with cultural references—cues one must recognize in order to register the full measure of an artist’s intent. Such references can be arcane and idiosyncratic à la Matthew Barney, or retrograde and comical like George Condo. Read More

“Memories of the Gulf: Ted Kincaid’s digital art recalls a landscape before the environmental catastrophe,” Dallas Voice.com

The Dallas-based digital artist has for 20 years been recognizable for his uplifting, vibrantly colorful digital cloudscapes (one of his “thunderhead” clouds was shown earlier this year at the Dallas Museum of Art). But his latest exhibition, on display through July 17 at the Arthur Roger Gallery in New Orleans, resonates with a profound sense of loss and melancholy. Read More

“Faux-tography”, Glass Tire

Ted Kinkaid invents unrealities through photograph, and in the process he reinvents the medium. If the photograph has always been about a negotiation between the original and the copy, reality and the ersatz, Kinkaid’s re-embodiment of the photographic image takes heed of only part of the equation. Read More

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