Jacqueline Bishop explores the psychological connections between humans and nonhumans in a range of media. Her work has been influenced by more than two decades of traveling the forests of the Amazon, experiencing Hurricane Katrina, and documenting the BP oil spill. Bishop’s surreal landscapes address such topics as climate politics, species extinction, and the impact of overpopulation.
Tucked behind the State Library of Louisiana on Third Street is Anthem, among the fine works that comprise the Louisiana State Art Collection. Made in 1983, the polished aluminum sculpture is one the first outdoor installations by New Orleans-based artist Lin Emery. Internationally recognized for her kinetic sculptures, Emery is inspired by forms found in nature.
Gordon Parks courageous photography helped awaken America at the dawn of the civil rights era. He was a master of portraying people from every walk of life. But for years some of Parks’ most important early work seemed lost.
The Arthur Roger Gallery is pleased to be featured in “DETAILS DIRECTORY: 48 Hours in New Orleans,” by Connor Stanley via details.com.
Since the early 1960s in New Orleans, Emery has been making large-scale aluminum sculptures that are constructed to work with the wind: They sway, rotate and bend. The shapes are positioned to give the sense they are dancing.
David Bates is a paradox. Based in Dallas, he appears focused on the mysteries associated with bodies of water. In an area not known for modesty, he keeps a very low profile. His paintings reflect an eclectic mingling of styles, but come off as boldly natural.
Timed to coincide with the tenth anniversary of Hurricane Katrina, Ten Years Gone features six contemporary artists who explore the passage of time, memory, loss, and transformation. Opens May 29th, 2015. On view through September 7th, 2015
Chihuly Workshop 2015 Studio Editions are now available in our gallery. Please stop by to view these beautiful new artworks.
For Kobaslija, the studio is a unique and personal world built of interchangeable stuff: floors, walls, shelves, canvases, paint, paper, chairs, tables, brushes, easels, and lighting fixtures repeat themselves across the series, their positions made mysterious by the absent bodies of the artists working (and sometimes living) inside. The invisible movements and patterned routines of the artists order the placement of these unique assemblages, turning each picture into a leftover document of the “work” of the work of art.
Douglas Bourgeois’s transcendent, fantastical images of pop icons as religious icons, set against southern Louisiana scenery, are inspired by his rural life and his homages to what and who inspires him.