Gallery News

The River and the Painter: Simon Gunning, New Orleans, the Mississippi River and its Bayous

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The River and the Painter: Simon Gunning, New Orleans, the Mississippi River and its Bayous includes over 90 full-color plates of artist Simon Gunning’s paintings and sketches and includes an introductory essay and interview with the artist by author John M. Barry. This book is the very first survey of Gunning’s work and depicts his three collections of paintings: The River, The City, and The Bayous and Swamps. Read More

Arthur Roger Gallery at Art Miami 2016

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The Arthur Roger Gallery is very pleased to be a part of Art Miami this year. At Booth B100, we are exhibiting works by John Alexander, Luis Cruz Azaceta, David Bates, Jacqueline Bishop, Douglas Bourgeois, Robert Colescott, Stephen Paul Day, Lesley Dill, James Drake, Troy Dugas, George Dureau, Lin Emery, Vernon Fisher, Tim Hailand, Whitfield Lovell, Deborah Luster, Gordon Parks, Holton Rower, and Amy Weiskopf. Read More

“Forget the Coasts. Look to the Hinterlands,” The New York Times

“American Address” (2006) by Douglas Bourgeois in the show “Southern Accents.” Douglas Bourgeois, via Arthur Roger Gallery, New Orleans

Southern Accent: Seeking the American South in Contemporary Art questions and explores the complex and contested space of the American South. One needs to look no further than literature, cuisine and music to see evidence of the South’s profound influence on American culture, and consequently much of the world. Read More

“Review: works from the Deep South by Simon Gunning and Maude Schuyler Clay,” Gambit

Simon Gunning, Sundown at Schiro's, 1986. Oil on canvas, 66 x 96 inches.

“Simon Gunning and the Southern Louisiana Landscape” at the Ogden Museum of Southern Art. October 1, 2016 – February 5, 2017. “Did you ever stand and shiver … just because you were looking at a river?” So sang Bob Dylan’s early mentor, Ramblin’ Jack Elliott, about a youthful trip to New Orleans where the Mississippi River’s inscrutable currents embodied the sense of mystery he felt here — a sensibility echoed by Simon Gunning in this sprawling retrospective. Intrigued by the Big Muddy and its contrast with the pristine shores of his native Australia, Gunning devoted much of his life to exploring its awesome charisma and the city it shaped. Read More

“Cut from the Same Cloth: Tim Hailand at Arthur Roger Gallery,” Pelican Bomb

Francois Sagat Tuileries Tree Paris (on Disney Princess, blue tiger, and navy "History of Air" toile), 2016 | Archival ink jet prints on various patterned fabrics, gold thread | 50 x 40 inches

The term Toile de Jouy refers to a particular style of patterned textile, typically a neutral background overlaid with woodcut-style bucolic scenes of Rococo romance. Think of men and women lounging in billowed, ruffled sleeves, children playing in pantaloons, a musician playing the flute, or a farm animal at work. Roughly translated, Toile de Jouy means “canvas of joy.” Considering these designs were often made into upholstery or wallpaper, the average contemporary viewer may be hard-pressed to feel joy; to be thrilled by a seat cushion or a parlor wall would be a rare ecstasy. However, artist Tim Hailand seems to be after something more complex than simple joy in his exhibition “Sister I’m a Poet,” currently on view at Arthur Roger Gallery. Read More

“Real Abstract: Simon Gunning’s painting of Southern Louisiana transcend the ordinary,” The Advocate

Simon Gunning, The Saline in Lavender and Green. Image courtesy of Ogden Museum of Southern Art. Photograph: Will Crocker

New Orleanians have always enjoyed seeing themselves portrayed on the stage. Witness the perennial popularity of shows like “And The Ball and All,” not to mention the innumerable productions of “A Streetcar Named Desire” that have been mounted over the decades. To some extent, that’s been true of our tastes in visual arts as well. You never have to look very far to see a Rodrigue or a Michalopoulos poster on someone’s wall. But the deep pleasures afforded by Simon Gunning’s paintings go far beyond just local interest. Read More

“Review: Almost Eudaimonia and Sister I’m a Poet,” Gambit

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There is an old controversy in art and science regarding the way some mystics and schizophrenics see the world as a glowing network of interwoven patterns. Is it a nutty hallucination or were they on to something? Similar patterns in the work of schizo mystic genius artists such as Walter Anderson or Vincent Van Gogh also turn up in the work of psychedelic researchers as well as recent explorations of quantum physics and fractal geometry. Read More

“Up Close: Narrative Painting,” Art in America

Willie Birch, Large Hose on Wall, 2013 | Charcoal and acrylic on paper | 60 x 48 inches

Last year, I stood in Arthur Roger Gallery, the prominent commercial venue on New Orleans’s Julia Street where Birch has exhibited since 1993, observing his drawings of the Seventh Ward, acrylic-and-charcoal works on paper in velvety grisaille. I recognized familiar anti-monuments—a watering hose coiled against peeling clapboard, a forlorn pair of tennis shoes flung over an electric wire—from the artist’s historically black, working-class neighborhood, located only five miles from the gallery, but seemingly a world away. Read More

“Museum-goers can get ‘face to face’ with the human condition,” The Vermilion

Portraits by Willie Birch line a wall at the Paul and Lulu Hilliard University Art Museum. Photos by Haoua Amadou/The Vermilion

“Face to Face: a Survey of Contemporary Portraiture” by Louisiana Artists is one of the recently exhibited selections available for viewing at the Paul and Lulu Hilliard University Art Museum this fall season. The exhibit, which opened Sept. 9, features a set of “12 nationally and internationally acclaimed artists working in a variety of media,” as cited by the museum’s website. Read More