Exhibitions

Willie Birch

Willie Birch is a storyteller, compelled to document the world in which he lives. With Southern Gothic: An Insider’s View, he presents the natural world around us, inviting the viewer to observe and interpret the apparent patterns and symbology found in our surroundings. Devoid of the human figure often found in the artist’s work, these large-scale paintings on paper and bronzes explore a deliberate yet improvisational landscape. Read More

Stephen Paul Day

Stephen Paul Day has chosen to be both creator and curator for Blame It On Vegas – Collecting Meta-Modern, his seventh exhibition with the gallery. Sculpture, neon and paintings make up this collection of new, engaging works that oscillate between humor and horror, history and the present and also between the artist’s vocabulary – color, form, and significance of materials – and his viewpoint – how one engages the viewer to make sense of the vision he is presenting. Grouped together as they would be in a museum, there is an intentional ambiguity as to who made each work. Day describes himself as a “Disney kind of collector, putting together a ‘wunderkammer’ of excellent art, artifacts, and story.” Read More

Troy Dugas

The intricate, large-scale cut paper assemblages in The Shape of Relics are created from unused product labels that artist Troy Dugas collects. The shredded or cut source material is meticulously arranged to create mesmerizing compositions that appear woven. The purpose of the original label is obscured through the use of repetition, pattern, symmetry, precision and scale. New meaning is created by the reinterpretation of color, shape and line. Read More

Allison Stewart

With Natural Wonders, Allison Stewart continues a body of work that occupies the space between landscape and organic abstractions. Materials and process are significant and inform the imagery in this exhibition of mixed media work on canvas and paper. The artist works with various materials which attract and repel – such as acrylic, enamel, inks, tar, charcoal, metallic powders and wax. Forms appear and dissolve under layers of paint until they finally coalesce into an image that may be both familiar and unknowable. Read More

Jacqueline Bishop

In this new body of work, Against the Tide, Jacqueline Bishop continues to convey the complexity and fragility of our ecosystem and the psychological connections between species. She describes the new paintings as, “a shift from being inside an unraveling ‘nest world’ to the outside – viewing the planet from a distance, literally presenting the earth as object.” She explores how our natural world is shaped and transformed by climate change, globalization and species extinction and invites us to reflect on the impact to our collective future. Read More

John Alexander

John Alexander has been described as painting “nature at its grandest and man at his worst.” This exhibition of new paintings and works on paper embodies his continued passion for wildlife, flora and fauna, and the detail found within. Read More

Holton Rower

The paintings in Holton Rower's "Love Heals" compose an amazingly vibrant exhibition of works with incredible color combinations that can be stunningly psychedelic and completely hypnotic. The artist creates the paintings with a simple yet incredibly beautiful process that is carried out with variations in technique that produce wildly different effects. Read More

John Pilson

Altogether Elsewhere brings together three projects which taken together represent the artist's long term interest in blurred distinctions between social documentary, experimental narrative and the many ways in which visual art and spontaneous performance are woven in to daily experience. Read More

Jesús Moroles

Jesús Moroles considers granite “the core and heart of the universe.” His new sculptures exemplify his recognizable and revered technique, presented in small- to large-scale and utilizing a range of granite including Texas Pink, Dakota, Black and Fredericksburg. The abstract works continue to resound with suggestions of nature and man and explore the coexistence of the two. Trained formally in the United States and having spent a year in the quarries in Pietrasanta, Italy, Moroles is recognized internationally as one of the greatest sculptors working with granite today. Read More

David Bates

The paintings in “Down Highway 23” are the result of a fishing trip in the late spring of 2010, the fateful year of the Deepwater Horizon oil spill. Instead of the planet’s finest redfish, David Bates was met with a poisoned landscape crawling with reporters, politicians and well-meaning volunteers. Through the hubbub, Bates observed the faces and posture of the local fishers and crabbers. Although wary, their looks also conveyed a resolution far from resignation. Read More