Exhibitions

John Alexander

John Alexander has been described as painting “nature at its grandest and man at his worst.” This exhibition of new paintings and works on paper embodies his continued passion for wildlife, flora and fauna, and the detail found within. Read More

Holton Rower

The paintings in Holton Rower's "Love Heals" compose an amazingly vibrant exhibition of works with incredible color combinations that can be stunningly psychedelic and completely hypnotic. The artist creates the paintings with a simple yet incredibly beautiful process that is carried out with variations in technique that produce wildly different effects. Read More

John Pilson

Altogether Elsewhere brings together three projects which taken together represent the artist's long term interest in blurred distinctions between social documentary, experimental narrative and the many ways in which visual art and spontaneous performance are woven in to daily experience. Read More

Jesús Moroles

Jesús Moroles considers granite “the core and heart of the universe.” His new sculptures exemplify his recognizable and revered technique, presented in small- to large-scale and utilizing a range of granite including Texas Pink, Dakota, Black and Fredericksburg. The abstract works continue to resound with suggestions of nature and man and explore the coexistence of the two. Trained formally in the United States and having spent a year in the quarries in Pietrasanta, Italy, Moroles is recognized internationally as one of the greatest sculptors working with granite today. Read More

David Bates

The paintings in “Down Highway 23” are the result of a fishing trip in the late spring of 2010, the fateful year of the Deepwater Horizon oil spill. Instead of the planet’s finest redfish, David Bates was met with a poisoned landscape crawling with reporters, politicians and well-meaning volunteers. Through the hubbub, Bates observed the faces and posture of the local fishers and crabbers. Although wary, their looks also conveyed a resolution far from resignation. Read More

Francis X. Pavy

Francis Pavy is a visual narrator of South Louisiana’s vibrant culture. The selected works in “200: Art Inspired by 200 Years of Louisiana Statehood” are not historical representations; rather, they are all new pieces inspired by events, people and themes that have figured in the history of Louisiana. Read More

Mary Jane Parker

"Keepsakes" was inspired by the masses of foliage that blanketed the New Orleans landscape in the aftermath of Hurricane Katrina. Struck by the natural patterns of vines and how they decorated the surfaces of the city, Mary Jane Parker began photographing, drawing and cutting stencils of them. This current body of work is a lush, yet slightly uneasy collision of patterns, mementos, nature and the disquiet of suppressed memories. Read More

Various Artists

Aspects of a New Kind of Realism is curated by Michael Klein. The curator believes realism continues to play a crucial part in painting today, but it is now augmented by an emphasis on the process with which the paintings are made. He feels that for many artists, including those in the group exhibition, there is a quite conscious choice of content that reflects more than just a still life or portrait; that their ambition is to “present through painting ideas that suggest and suppose and present painting as a means by which questions can be raised and observations made about and for a contemporary audience.” Read More

Dale Chihuly

The White series showcases seasoned master Dale Chihuly’s relentless pursuit to expand his highly original language of glass. As one of the greatest colorists in the history of the medium, his genius includes the application of colors in different sequences, mixing opaque with transparent, thus manipulating light as it travels through the glass. Read More

John Waters

Using an insider's bag of tricks and trade lingo, Waters celebrates the excess of the movie industry. Word and image play permeate Waters' work, and the movie industry and its various sleights of hand are a common target. Always ambitious and playful, some of the works are condensed narratives or "little movies” as Waters calls them. Read More